Had not tended to it for a while. A very long while. My bad. But now it continues. The complete first book of the Troubleshooter series on Wattpad. Chapters 18 & 19 are now out!
What a strange discovery. Rediscovery. Left and right. That fundamental aural effect. Had been lost for me over many years. Somehow. And having a stereo experience in an open room is fundamentally different than plugging in two bluetooth rubber thingies into your ears. Earphones are the sound minus the room.
But the room, oh, the room is breathing!
I love music, can never be without. When the house settles down for the night, music starts to play. New music, old music, mixes, or straightforward albums or artists. Yesterday it was all evening my “Can Always Hear” playlist, consisting of 6-months-not-played four & five star songs. Today I started on the way to work with the Radiohead catalogue on random, or shuffle as we Apple aficionados say. Continued on my way home later and then continued half an hour ago.
Over the years, I made the move—probably familiar to you old-stylers—from vinyl to CD to MP3 to Streaming. With the raise of not only streaming content but also streaming-based hardware, in my case SONOS equipment, I somehow ended up with only a single speaker device for the last four years or so. Yesterday, I received two new speakers, which I now can pair to a stereo configuration. Back to real stereo!
And man, what an effect this has on my listening experience! All evening I am doing the Command-L thing on my iTunes that brings me to the currently played song in my media library. And I find myself constantly adjusting my personal song ratings, especially on those Radiohead deep cuts that heard from on the single-device never made that much of an impression to me. But today, the Radiohead wall of sound, seemingly coming from all directions, makes every song a listening event.
I had such a very similar sensory flashback a few years ago, when I cooked one of my mother’s old meals and at first taste, I literally felt back at my parent’s kitchen desk. A very intense feeling, not of the everyday kind, a mix of home, warmth, regret, sadness. And this time, listening in real stereo mode, it was similar. Laying in bed, the stereo speakers of my first hifi equipment left and right of my ears (Philips tube-driven amp, Dual record player and no-name two-way loudspeaker’s, self-assembled), totally lost in the White Album. Or in any Pink Floyd record. A time transport back into 1977.
Stumbled up on this FastCompany article about Joss Wheadon’s turn from super blockbuster (Avengers) to mid-budget Shakespeare. Mr. Wheadon of course is known to most as the creator of beloved cult TV classics like Fireflies, Dollhouse and of course his break-through creation Buffy, the Vampire Slayer. The article explains in a nice arc why he needed an artsy break after the exhaustive work on the action and effect driven Avengers movies.
I get that, but no Shakespeare for me.
I wrote a Teen Vampire novel instead. In a series of soft launches, Teen Vampire Hunters (TVH) will start to appear on the various digital outlets and eventually, later next week, in a paperback version, too.
TVH is the second novel in the Teen Monster Hunters series around angry Sally Storm and her friends, genius Ryan Montgomery and silent Moe NoLastName in the duties of the Supernatural Investigation Agency. This time the team is thrown into the scene alike an Agatha Christie novel. A gothic mansion, a dog sucked dry, and an asorted group of suspects.
As a non-native speaker — and maybe for the English everyman — you are never sure whether you are writing your best English or just English laced with the occasional error in spelling or grammar. Sure, most word processors and even the Internet Explorer have built-in checking tools, but still there is a lot you can do wrong. Specialized tools like Grammarly and ProWriteAid promise to improve your writing. This post will concentrate on a side by side comparison of the tools, for those functions that I use them mostly. I am aware that both have different pricing schema and different features that might be useful for one or the other reader.
A few years back, I bought ProWriteAid in a lifetime license deal and used it ever since. In the last year, though, Grammarly bombed me with advertising, especially online. There is no YouTube watching or Facebook timeline where I do not see the nicely done advertisings. I became curious what the difference might be.
Let’s have a look how these tools play against each other. I concentrate on the three core disciplines grammar, spelling, and punctuation. Both tools offer much more checks on style and habits (like pointing out phrase repeats, sticky sentences that are hard to read, overused word) but that would be too much for a single post.
Just as a disclaimer: this is not an “influencer” blogpost, no money flowed (unfortunately) in the making of this post, I have no relationship with either company except for the fact that I use their products for my writings.
Let’s see how both tools, Grammarly and ProWritingAid, are facing off on the final edit of one chapter of my latest book ”. “Final edit” means for me: everything I could have done with my knowledge of the English language has been done and I am ready to send the book off to the editor. I take the chapter text and feed it to the two tools. Let’s see what happens.
This of course is a very personal judgement, as it depends very much on how you use the tools in your writing process. Both tools offer a generic interface where you are able to copy and paste your text, do the corrections, and then afterwards retrieve it by the same method.
Grammarly has plug ins to Word and common browsers like Chrome, whereas ProWritingAid lets you load full documents into its application. This is where ProWritingAid shines for me, as it lets me upload my whole Scrivener project and applies the corrections directly into the project. No copy and paste for me!
Clear win for ProWritingAid.
Grammarly: 0 — ProWritingAid: 1
The user interface — both do their jobs
Both tools have the same user interface principle. They show the text with potential issues marked up. And then with an overlay (ProWritingAid) or in a separate screen section (Grammarly) an explainer of the issue and the suggestion how to fix it. By clicking on the suggestion the text is corrected immediately. I can also decide to ignore the issue or to add an unknown word into the user directory so that it won’t show up again. Both tools also have sort of an overview list of all the issues detected for easier navigation. Grammarly is a bit more cleaned up in its approach, but it’s not enough to let me say it wins the contest.
Both interfaces work fine for a user when it comes to spelling and grammar checks. Let’s call it a draw!
Grammarly: 1 — ProWritingAird: 2
Checking Quality — Grammarly beats ProWritingAid into the ground
This is the juice of course! How do both tools fare on my chapter from Teen Vampire Hunters? The text is picked from the latest workin-progress of my Teen Monster Hunters young adult series about three friends in the duty of the SIA—the Supernatural Investigation Agency. I took a random chapter which I already edited heavily and Word and Scrivener spelling checks have done their jobs many times. Plus my brain in many endless nightly writing sessions. How I HATE editing!
Some stats first: All in all, both tools together spotted 37 issues in my chapter of 2400 words. ProWritingAid marked 21 issues and Grammarly 27.
The first result that amazed me most: each tool detected in majority issues that the other did not. Only 11 issues were an overlap, detected by both tools. Example: the obvious spelling errors like “intructions” and the propose correction “instructions”. But when it came to language suggestions, the tools run on different engines.
Sometimes they are not even one opinion in the classification of an error. Have a look at the “Whatever – What ever” example from above. ProWritingAid declares it as a grammar issue, Grammarly as a spelling issue.
Let us have a closer look: here are first lines of the blow by blow account of the full result of both tool’s scans (G: Grammar, S: Spelling, P: Punctuation, I left out any personal names findings). In each case, I decided whether to keep the text as is or to take over the suggestion of the tool.
To keep score, let us count the quality of the findings by adding up the “correct actions”. What are correct actions? Simple:
Either the tool has found an issue and I followed the suggestion.
Or the tool kept still where the other too had made a suggestion and I decided to keep things as they were (Example: “… Sally said, as the vampire ran away.” Grammarly tells me to remove the comma, but ProWritingAids ignorance is the correct action (only in standard phrases like “as long as” you are adding a comma.)
In one case “ax / axe”, I decided to keep the “axe” as “axe to grind” looks better than “ax to grind”. Grammarly’s suggestion was correct, though, from a spelling alternative perspective. I didn’t add this “issue” into the count.
And here is the tally:
By a wide margin, Grammarly scores this very important point: the quality of the check itself. But even then, the loser still made 11 suggestions that were NOT captured by Grammarly. Makes you think, too.
Clear winner: Grammarly
Grammarly: 2 — ProWritingAid: 2
Don’t take the score too seriously, please. It’s a draw in my count, but it’s maybe not a fair count. In the main discipline, Grammarly clearly outsmarted ProWritingAid, so this should count higher. In theory. But for me, the cutting and pasting thing is crazy! I hate it, so I like to use PWA for its great integration with Scrivener, my core tool for writing on my Mac and on the iPad.
In real life this quality of the checks brings us to the main dilemma: Do I need to use both tools to become “close to perfect” in my writings? I leave that decision up to you as there are other factors that need to be considered, which I will inspect in one of my next blogposts.
One other point that may not be obvious: when you run these tools, you start editing over and over again. There were two issues found that made me not only take over the suggestion but made me rephrase the whole paragraph. That was also the reason why the obvious spelling errors were not captured earlier, edit turns to re-edit, messing some things up once more.
But hey, this is a writer’s life!
Amazon will have my romantic comedy "Five for Forever" on promotion for 0,99 cents from July 28th to August 4th. Beach, plane, or train time no longer becomes boring! Dive into the glamorous world of Louise, the foremost actress of our times and her romance with the widowed boat builder Rick. Four kids included.
Long time no post on this site but I took it easy recently. As I replaced a 30 minute train commute (each way, very productive) by an eBike ride (60 minutes each way, sporty, but not productive). So I am missing 60 minutes a day in text production. Plus, the weather is fantastic currently and my evenings are shorter, too. And vacations...
Sounds like a lot of excuses NOT to write. But I am busy. Teen Vampire Hunters, the second installment of my Teen Monster Hunters series, is coming along well and I am in rework mode. The timing, characters and overall story line is fine, just some structural optimization. Followed by two more reviews. Hopefully I'll have that all behind me by end of August, to send it off to the editor. And finally start writing again.
Next book is still a bit up in the air. I've had some motivation to pick up my second romantic comedy again, a piece I left off at about 80 % because I was unhappy with some of my characters. It's hard these days to write good romantic comedy where your characters are female, and professionally successful, but still you are required to have your heroines fall in love with hanging tongues. The second option is to continue with my science fiction horror action thriller, working title "The Transport". Also maybe in state of 50 %, but needs a lot of rewrite to differentiate itself from the Teen Monster Hunters. (plays in high school, aliens in the basement, sounds familiar).